CHAPTER XXII Owen sat there a minute staring at her. "Ah, you're beautiful, more beautiful than any one," he broke out, "but I'll be hanged if I can ever understand you! On Tuesday, at your father's, you were beautiful—as beautiful, just before I left, as you are at this instant. But the next day, when I went back, I found it had apparently meant nothing; and now, again, that you let me come here and you shine at me like an angel, it doesn't bring you an inch nearer to saying what I want you to say." He remained a moment longer in the same position; then he jerked himself up. "What I want you to say is that you like me—what I want you to say is that you pity me." He sprang up and came to her. "What I want you to say is that you'll save me!"!

If Owen had not come down with them nor joined them later, it was because he still found London jolly; yet the question remained of whether the jollity of London was not merely the only name his small vocabulary yielded for the jollity of Mona Brigstock. There was indeed in his conduct another ambiguity—something that required explaining so long as his motive didn't come to the surface. If he was in love, what was the matter? And what was the matter still more if he wasn't? The mystery was at last cleared up: this Fleda gathered from the tone in which, one morning at breakfast, a letter just opened made Mrs. Gereth cry out. Her dismay was almost a shriek: "Why, he's bringing her down—he wants her to see the house!" They flew, the two women, into each other's arms and, with their heads together, soon made out that the reason, the baffling reason why nothing had yet happened, was that Mona didn't know, or Owen didn't, whether Poynton would really please her. She was coming down to judge; and could anything in the world be more like poor Owen than the ponderous probity which had kept him from pressing her for a reply till she should have learned whether she approved what he had to offer her? That was a scruple it had naturally been impossible to impute. If only they might fondly hope, Mrs. Gereth wailed, that the girl's expectations would be dashed! There was a fine consistency, a sincerity quite affecting, in her arguing that the better the place should happen to look and to express the conceptions to which it owed its origin, the less it would speak to an intelligence so primitive. How could a Brigstock possibly understand what it was all about? How, really, could a Brigstock logically do anything but hate it? Mrs. Gereth, even as she whisked away linen shrouds, persuaded herself of the possibility on Mona's part of some bewildered blankness, some collapse of admiration that would prove disconcerting to her swain—a hope of which Fleda at least could see the absurdity and which gave the measure of the poor lady's strange, almost maniacal disposition to thrust in everywhere the question of "things," to read all behavior in the light of some fancied relation to them. "Things" were of course the sum of the world; only, for Mrs. Gereth, the sum of the world was rare French furniture and Oriental china. She could at a stretch imagine people's not having, but she couldn't imagine their not wanting and not missing. Fleda turned pale, but she faced her companion and smiled. "You confound, Mrs. Gereth, you mix things up. You've only had it from my own mouth that I care for him!"

"For you, but not for your eloquence. Do you understand what I mean by the difference?" Mrs. Gereth asked as she stood stirring her tea. Fleda laid on her arm a hand of vague comfort, of which Mrs. Gereth took no notice. "You've been capable, just to tell me, of this wretched journey, of this consideration that I don't deserve?" She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.